Roses are blue, violets are red (2024)

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Roses are blue, violets are red (1)

BEAUTIFUL flowers—like beautiful women—can separate the most sensible of men from their money. Those men invest in the reproductive organs of plants such as roses to signal, albeit coyly, analogous intentions of their own.

The result is a cut-flower industry in which roses alone are worth $10 billion a year. But that is peanuts compared with what happened in the past. In 17th century Holland, tulips (the fashionable flower du jour) grew so expensive that people exchanged them for houses. One bulb of the most sought-after variety, the flaming red-striped Semper Augustus, sold for twice the yearly income of a rich merchant.

For modern flower growers, the equivalent of the Semper Augustus is the blue rose, which horticulturalists have longed for since the Victorian period. Any blue rose sent on St Valentine's day this year will have been dyed. But if Yoshi Tanaka, a researcher at Suntory, a Japanese drinks company, has his way, that will soon change. Dr Tanaka is currently overseeing the first field trials of a blue rose developed by Suntory's subsidiary, Florigene. If the trials are successful, a dozen blue roses—even if they do look slightly mauve—could, by 2010, be what separates an unsuccessful suitor from Prince Charming.

Flaming tulips. Blue roses. What Dutch growers of old and Dr Tanaka's employers both grasped is that rarity, and hence economic value, can be created by genetic manipulation.

The stripes of the Semper Augustus were caused by the genes of a virus. Not knowing that an infection was involved, the Dutch growers were puzzled why the Semper Augustus would not breed true. The genetics of blue roses, too, have turned out to be more complicated than expected. The relevant genes cannot easily be pasted into rose DNA because the metabolic pathway for creating blue pigment in a rose consists of more chemical steps than it does in other types of flower. (Florigene has sold bluish genetically modified carnations since 1998.) Success, then, has been a matter of pinning down the genes that allow those extra steps to happen, and then transplanting them to their new host.

Buy any other name

Mere colour, however, is for unsophisticated lovers. A truly harmonious Valentine gift should smell beautiful as well. Sadly, commercial varieties of cut rose lack fragrance. This is because there is a trade-off between the energy that plants spend on making the complex, volatile chemicals that attract women and insects alike, and that available for making and maintaining pretty-coloured petals. So, by artificially selecting big, long-lasting flowers, breeders have all but erased another desirable characteristic.

Smell is tougher to implant than colour because it not only matters whether a plant can make odoriferous chemicals, it also matters what it does with them. This was made plain by the first experiment designed to fix the problem. In 2001 Joost Lücker, then a researcher at Plant Research International in Wageningen, in the Netherlands, added genes for a new scent into petunias. Chemical analysis showed that the new scent was, indeed, being made, but unfortunately the flowers did not smell any different. As happens in Florigene's blue carnations and roses, Dr Lücker's petunias dumped the foreign chemical they were being forced to create into cellular waste buckets known as vacuoles. Whereas pigments are able to alter a petal's colour even when they are inside a vacuole, because the cell contents surrounding the vacuole are transparent, smelly molecules must find a route to the sniffer's nose by getting out of the cell and evaporating.

Like Dr Lücker, Natalia Dudareva, of Purdue University, in Indiana, eschews experiments with roses, since these plants have scents composed of 300 to 400 different molecules. She prefers to understand basic odour science using petunias and snap-dragons, which have about ten smelly chemicals apiece. She has made an encouraging discovery. By studying the many different pathways through which flowers make their fragrances, she has found consistent patterns in the way these pathways are regulated.

Such co-ordinated patterns suggest that a type of protein called a transcription factor is involved. Transcription factors switch genes on and off in groups. If Dr Dudareva is right, cut roses have lost their fragrances not because the genes that encode their hundreds of scent molecules have each lost their function, but because the plants no longer make a few transcription factors needed to turn the whole system on.

This suggests that the task of replacing lost fragrance is more manageable than it seemed at first blush. But even when the transcription factors in question have been identified, the problem of the energetic trade-off with pigment production and longevity will remain. So Dr Dudareva is also measuring how quickly the enzymes in scent-production pathways work, in order to identify bottlenecks and thus places where her metabolic-engineering efforts would best be concentrated.

Dr Dudareva's methods may also help to improve the job that flower-scents originally evolved to do—attracting insects that will carry pollen from flower to flower. By modifying the smell of crops such as vanilla, which have specific pollinator species, different insects might be attracted. That could expand the range in which such crops could be grown and thus make some poor farmers richer. A change, then, from making rich but romantic men poorer.

This article appeared in the Science & technology section of the print edition under the headline "Roses are blue, violets are red"

February 10th 2007

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Roses are blue, violets are red (2)

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Roses are blue, violets are red (2024)

FAQs

What is the original poem Roses are red and violets are blue? ›

We have all heard of the most famous poem of all that starts with ” Roses Are Red”- “Violets Are Blue”. The origins of the poem can be traced as far back to 1590 by Sir Edmund Spense and later in 1784 made famous by Gammer Gurton's Garland: The rose is red, the violet's blue, The honey's sweet, and so are you.

What is the meaning of roses are red and violets are blue? ›

Generally, it is a common tendency to compare the loved one with a beautiful flower, in this case, red roses and blue violets are great to express the romanticism of words towards your loved ones or yourself. So, among the millions of love poems, this poem has been indeed the most popular one for long years.

What is the rest of the saying roses are red violets are blue? ›

A rhyme similar to the modern standard version can be found in Gammer Gurton's Garland, a 1784 collection of English nursery rhymes published in London by Joseph Johnson: The rose is red, the violet's blue, The honey's sweet, and so are you.

What is the rhyme the rose are red? ›

"The Rose is Red, the Violet's Blue, The Honey's Sweet, and so are You. Thou are my Love and I am Thine!

Why do poems say violets are blue? ›

No, violets are not blue; but the colour violet is closer to blue than it is to purple. And saying “violets are blue” fits the rhythm and rhyme much better. We can also ignore the fact that roses are not always red: they can be pink, yellow, white, or even orange.

What is stuffed brown and blue if roses are red and violets are blue? ›

If roses are red and violets are blue, what is stuffed, brown, and blue? Answer: A turkey holding its breath.

What do red violets symbolize? ›

Red-violet is used to represent wine (especially in advertising and in animated films), and thus is associated with the Greek god Dionysus and with celebrations, parties, night clubs and the theatre in general (In Greek mythology, Dionysus was the god of the theatre as well as of wine).

What is the real meaning of blue roses? ›

A blue rose symbolizes mystery, the unattainable, and uniqueness, often representing good fortune and protection in some cultures. Their rarity is because they are not available in nature and must be produced through genetic engineering or dyeing.

What do violets symbolize in Shakespeare? ›

In Shakespeare's time, fennel was a symbol of strength, columbine stood for folly, daisies meant innocence, and violets recognized faithfulness and modesty.

What is a famous quote for violet? ›

The violets in the mountains have broken the rocks. The snowdrop and primrose our woodlands adorn, and violets bathe in the wet o' the morn. We may pass violets looking for roses. We may pass contentment looking for victory.

What is the old song about red roses? ›

"Red Roses for a Blue Lady" is a 1948 popular song by Sid Tepper and Roy C. Bennett (alias Roy Brodsky). It has been recorded by a number of performers. Actor-singer John Laurenz (1909–1958) was the first to record the song for Mercury Records.

What is the metaphor with red roses? ›

The red rose symbolizes romance, love, beauty, and courage. A red rosebud signifies beauty and purity. A thornless red rose means love at first sight.

What is the moral of the poem Red Red Rose? ›

The poem explores the themes of youth and beauty and love and time. The poem conveys the meaning that love can withstand time and change. The poem compares love to a "newly sprung" 'Red, Red Rose,' suggesting that it is fresh, young, vibrant, passionate, and beautiful.

What is the original Queen Elizabeth rose? ›

Rosa Queen Elizabeth

Originally created in the 1950's in commemoration of Queen Elizabeth the second, the Rose Queen Elizabeth is a reliable floribunda rose producing large, regal double blooms in vivid pink.

Who wrote the poem The Rose Family? ›

Read The Rose Family poem by Robert Frost written. The Rose Family poem is from Robert Frost poems.

What were the original blue roses? ›

Since blue roses do not exist in nature, as roses lack the specific gene that has the ability to produce a "true blue" color, blue roses are traditionally created by dyeing white roses.

Where did the pure poetry rose come from? ›

Origin: Bred by Hans Jürgen Evers (1940-2007) (Germany, 2004). Introduced in Germany by Rosen-Tantau/Tantau Roses in 2009 as 'Johann Wolfgang von Goethe Rose'.

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